Shostakovich 10

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Image courtesy of L'auditori

© Robin Clewley

Following his Symphony No. 9 — when the establishment was expecting a musical celebration of Russia’s military victory over Germany, but Shostakovich used the piece to criticize it — he rose above the hostile atmosphere and wrote Symphony No. 10, premiered in the same year that Stalin died.

Shortly before, the composer had been fired from the Conservatory and accused of being a “formalist,” and enemy of the people. His Symphony No. 10 contrasted with this controversy in its triumphal success, and it led to years of national and international acclaim. Nonetheless, official Soviet circles never understood this work, with its lack of heroism or its conciliatory images and enigmatic backdrop.

Sergei Prokofiev was also branded a “formalist” when he premiered his Piano Concerto No. 3 in Chicago three years after abandoning his homeland of Russia. The composer’s music for piano includes some of his most inspired works, always marked by an ironic attitude to tradition. The aggressive use of rhythm, irresistible lyricism, and the soloist’s virtuoso interplay with the orchestra have made this one of Prokofiev’s most popular pieces.

See both works performed at L’Auditori.

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