John Grant

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Image courtesy of Pinatamusic

Equally solvent as a crooner of the abyss and as a dance instigator thanks to those synth-pop outbursts that are ideal for our feet not to stay still, the American John Grant is solvent in all the registers he tackles. And he has always been like that. His trajectory has been solid since his days when he was sharpening his facet as a folk-rock singer-songwriter in front of the much-missed The Czars to his current place of preeminence as an electronic troubadour, reaffirmed by albums like Queen of Denmark (2010), Pale Green Ghosts (2013), Love is Magic (2016) and Boy From Michigan (2021). A string of albums that have served him to exorcise demons and ghosts, purify himself spiritually and seduce an ever-growing audience. Resident for years in the quiet and cold Iceland, John Grant is one of those artists who, in addition to producing great songs, has contributed to questioning the stereotypes associated with traditional masculinity in rock, without particular proclamations, manifestos or moralizing.

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