Super-8 and Archive Material in the Mexican Cinema of the 1970s
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Centre de Cultura Contemporània de Barcelona (CCCB) Carrer de Montalegre 5, 08001 Barcelona
Image courtesy of CCCB
Access to lightweight cameras and inexpensive formats in the seventies transformed film production in Mexico. Alongside student, feminist and worker movements, militant cinema emerged as a self-managed collective practice that used the camera as a political tool. Filmmakers like Leobardo López Aretche, Óscar Menéndez and collectives such as Cine Mujer and the Cooperativa de Cine Marginal worked with archive materials, newsreels and Super 8 and 16mm recordings. The reuse of images and their dissemination outside commercial circuits—in factories, unions and universities—shaped a cinema of resistance that put forward new memories in the face of the official history.
This cinematic impulse emerged in a context of political radicalization and social reorganization in the wake of 1968. Influenced by the experiences of Latin America’s Third Cinema, the filmmakers came to the act of filming as a practice shaped both by material conditions and the political urgencies of the moment. Their work produced a constellation of experiences which, though transitory, completely transformed the relationship between image and politics and between individual and context in the Mexican cinema of the time.
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