Las Mujeres de Argel
Hailed from Lorca, Murcia, Manolo Belzunce presents a collection of 27 pieces of works dating between 2012 and 2013.
This particular exhibition focuses specifically on Belzunce's adaptation of Delacroix's Women of Algiers (1834).
The works exhibited vary in style and technique using multiple materials such as oil and acrylic. Combined with powerful and pure colours, his works depict a suggestive plasticity.